The Bigger Picture: Visual Archives and the Smithsonian
Archive: 02/2012 - Page 1
The Archives website contains a wealth of information about Smithsonian history and the collections we maintain to document the Institution's past. To help navigate through thousands of collection guides, historical notes, references, and digitized media available on the website, here are a few tips.
There are three search options; website, collections, and collection guides. You can access all three with the main search at the top of the page.
1) Website Search - This will search online exhibits, history pages, blog posts, and other general information on the site. For example, entering "Spencer Baird" (the Smithsonian's second Secretary) into the search box at the top right of our home page will result in several places where we mention Baird in informational pages and online exhibits.
2) If, however, you are interested in actual collections of records and personal papers, or digitized media concerning Baird, the Collections Search option will be best. Clicking on the "Collections" tab will display links to collection summaries and associated finding aids, as well as images of Baird that are currenlty available online.
3) An even more detailed search of collection inventories (box and folder listings of collections) can be conducted using the Finding Aids Search option. This will return results where Baird is mentioned not just in a basic collection summary (a few paragraphs broadly describing a collection), but also in folder titles.
Another point of entry into the Collections and Finding Aids searches is by clicking on "Collections" near the top of left of our website at any time during your visit.
We invite you to explore our collections and give feedback. As always, though, you can contact us directly via our Reference Inquiry Form which is also available from each finding aid and collection summary. Our Reference Team will be happy to help you find exactly what you need.
I love metadata (data about data) because it makes my professional life as a digital archivist, as well as my personal life, easier. Of course, creating and embedding it also requires time and effort. As a case in point, Mike Ashenfelder from the Library of Congress has written about how challenging the process of adding metadata to digital photos can be. Indeed, the challenges are numerous.
For example, files from only a few years ago can become forgotten or obsolete as formats, operating systems or software changes. Adding to the difficulty is the fact that these files are everywhere—online, on computers and servers, and on CDs, DVDs, and thumbdrives tucked in drawers and closets.
Image information is often lost as many digital items end up having multiple lives as they are repurposed on various websites, blogs, and social media sites.
Digital images appear in unexpected places, and Internet searches can take unexpected turns. For instance, my own recent Internet search for images of Midcentury Modern decorating led me to images of a restaurant I used to frequent (the explanation: a blogger with a penchant for the Midcentury, also was a fan of the kitchy décor of the familiar Cozy Dog Drive In). In these cases, if you don’t have any context, you might not know what you are looking at.
A file name can help if it is descriptive enough, such as "2012_01_09_Smithsonian_Final_Report.doc." Captions with images also are important. Taking this one step further is embedded metadata, that is, metadata that is part of the file itself. This information will live with a photo or file no matter where that digital asset is stored, unless the data is removed. Embedded metadata can tell you who shot the photo, camera model, F-stop, ISO speed, where it was taken, copyright, and, if you are lucky, who or what is in the photo.
At the Smithsonian Institution Archives, we receive a variety of born-digital and scanned images that become part of our permanent collections that tell stories about the Smithsonian behind the scenes. These images range from objects and exhibition spaces, to museum special events, to researchers and students working in the field. File names are sometimes descriptive and helpful while others are just the generic name assigned by the camera (IMG_0001). In some cases, the actual media (CDs, DVDs, disks) that house the files contain some useful information. And sometimes a separate word-processing or PDF file with captions is provided.
The more information we have from the source the better. While technical metadata is provided by the digital camera (for example, the camera manufacturer and photo date, if set properly), descriptive information (keywords/tags, captions) has to be added manually. This can be done once the images are transferred to a computer with specific software, many of which offer batching functionality that makes the process more efficient—enabling us, for instance, to not have to enter in the photographer’s name every time.
Embedded metadata is not only for images. Many word-processing, presentation, and spreadsheet applications also have the ability to include the author, keywords, title, and other information. In a Windows 7 environment, right click on a file and select Properties and then Details to view and edit fields. Older Windows operating systems require opening the file itself in software that allows viewing of Description metadata. On a Mac, right click on the file and select Get Info for some basic information. By taking the time to add metadata to your own digital files, you’ll ensure that important and identifying information remains at your fingertips.
There is even an embedded metadata group made up of photography and advertising organizations that has released the Embedded Metadata Manifesto. The five principles follow:
1) Metadata is essential to describe, identify and track digital media and should be applied to all media items which are exchanged as files or by other means such as data streams.
2) Media file formats should provide the means to embed metadata in ways that can be read and handled by different software systems.
3) Metadata fields, their semantics (including labels on the user interface) and values, should not be changed across metadata formats.
4) Copyright management information metadata must never be removed from the files.
5) Other metadata should only be removed from files by agreement with their copyright holders
Thanks to embedded metadata in an image, a researcher looking at a food blog in 2015 will know who those seven attendees were from a scientific conference in 2005.
- Do you follow Historypin's Pinner of the Week on Facebook? I always love seeing these new collections--this week's belongs to SueWalkerWhite for her amazing collection of early 1900s photographs.
- Could it be you? The Smithsonian's Field Book Project is looking for an intern.
- Exciting news: not only did Obama speak at this week's groundbreaking of the Smithsonian's National Museum of African American History and Culture, but the museum also has a new website!
- Hmm, I never knew!: the origins of the name of the Chandra X-ray Center, which is operated for NASA by the Smithsonian Astrophysical Observatory.
- So incredibly beautiful and cool: fish, inside and out (really!), from the National Museum of Natural History’s division of fishes.
- Fascinating finds: Michael Pahn, a musician and an archivist at the Smithsonian's National Museum of the American Indian, talks about the universal quality of music, and some of his favorite music-related collections at the Smithsonian, including the video below:
Sync sound recording of "The Red Partridge Song", performed by Crooked /Qui (left), /Gao //Uashi (center, with //uashi instrument), and an unidentified man. An excerpt from the John Marshall Ju/'hoan Bushman Film and Video Collection, Human Studies Film Archives, Smithsonian Institution. Recorded in 1955 with custom-made sync sound recording set-up. For more information and more video clips from the Marshall Collection, visit the web exhibit: http://anthropology.si.edu/johnmarshall/index.html
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